What would a reinterpretation of this very famous painting be like? How would one handle it in a post Duchampian world? This is the question I am puzzling over at this very moment. It’s both marvelously frivolous and frankly serious being such an event and the painting represents so much about the times Manet lived in. It’s contemporary to his time and timeless. There is no picnic cloth in that painting. What about the picnic before the picnicers arrive? The possibility of absense gives it potential again.
Exhibition News
- Seeing Someone Else Is Seeing Yourself – Fine Arts Gallery, Saint Peter’s University, Feb/March 2022 13 Jan ’22
- The Empowering, curated by Danielle Scott, features new work of Paul Edward Pinkman 1 Mar ’21
- Time is of the Essence – an online catalog and exhibit curated by Paul Edward Pinkman 17 Aug ’20
- Six portrait-based works to be seen at See|Me – ChaShaMa, World Trade Center, NYC 30 May ’19
- THE REJECTS at Cold Bench online 30 May ’19
- New Works on Paper at the Drawing Rooms, Jersey City 6 May ’19
- Celebrating Unlearning 6 May ’19
- Crossing Lines: Paul Edward Pinkman at the Watchung Arts Center 18 Feb ’19