by admin | Feb 19, 2012 | Art of People, Dialogical Aesthetics, Digital art, Portraits, Relational art
The latest work involves an exploration of the underpinnings of Marx’s idea of Entfremdung, typically translated as alienation but really is closer to estangement. These works reconsider this idea and how it’s roots are what drive humanity further and...
by admin | Mar 17, 2011 | Conceptual Art, Dialogical Aesthetics, Digital art, Relational art, Thinking about Art - Out Loud
I have spent a great deal of my life trying to figure out how my work ‘fits in’ to the contemporary art world. To be clear, I’ve struggled with what ‘ism’ or trend or group might my work belong to so that I might explain my peculiar...
by admin | Feb 21, 2011 | Dialogical Aesthetics, Digital art, Identity-based art, News and Events
A very recent digital photographic diptych, “Queer, Fag, Idiot (Self-portrait)’ went on view in the 3rd Annual International Juried Exhibition, “Inner & Outer Landscape: Contemporary Self-Portraiture & Representation’ at the A.D....
by admin | Feb 2, 2010 | Dialogical Aesthetics, Relational art, Thinking about Art - Out Loud
I’ve been spending a lot of time lately working out the issues of how I want to spend the balance of my days. Given my family history (mom dead at 62, dad at 76) if I make it to 80, it will be a miracle. Combine that with having smoked for way too many years, which...
by admin | Oct 16, 2009 | Dialogical Aesthetics, Identity-based art, Relational art, Thinking about Art - Out Loud
What would a reinterpretation of this very famous painting be like? How would one handle it in a post Duchampian world? This is the question I am puzzling over at this very moment. It’s both marvelously frivolous and frankly serious being such an event and...
by admin | Oct 2, 2009 | Dialogical Aesthetics, Identity-based art, Relational art, Thinking about Art - Out Loud
A month after the now infamous urinal by R. Mutt (Marcel Duchamp) was rejected by the exhibition he had submitted it to, a little magazine called The Blind Man, which was co-edited by Duchamp, defended Mr Mutt’s Fountain: “Whether Mr Mutt with his own...
